27 Haziran 2012 Çarşamba

Day 25 - April 14 Class at Whimzy

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I teaching at the fabulous Whimzy in Tustin, CA onSaturday, April 1412:00 - 4:00p.mMixed Media Journal Techniques$75.00Will Sheryl be making her fabulous cupcakes? We hope so!!

Everyone will receive a blank coptic journal and we'll be using all kinds of mixed media techniques to embellish the cover - burning paint, fabric image transfer, alcohol inks, creating a tulle flower and lots more. All supplies included.
Classes at:Banana Rose  Westlake, CA/MayThe Howling Owl  Fullerton, CA/June        details coming soon
Thanks for stopping by:)oxJenelle

Day 26 - Full Circle

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When Janette Ponciroli walked into the Quinn McDonald journaling class at Studio Crescendoh I immediately recognized her - but from where? We ended up sitting next to one another. I asked the usual litany of questions - do you take a lot of classes here? Have you been to Glitterfest?  Have you been to The Vintage Marketplace? The responses were all negative- couldn't figure it out. Then she pulled out her journal. I gasped "Oh my gosh, I made that!" Then Janette said what every journal maker wants to hear, "I've been saving it for something special".


Almost a year ago I spoke at Launch Your Creativity which Janette attended. I created coptic journals for the guests.  I wanted the women to have a beautiful journal where they could write about their art, dreams, progress, life - a safe place. I made the journals and off they went. Janette's journal came full circle! What a delight to see her using it! She is pursuing her creative dreams in 2012 --what a privilege to be a small part of her journey.


Thanks for stopping by
oxJenelle

Day 27 -Teaching At Whimzy

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Had such a wonderful time teaching at Whimzy yesterday! Above (L-R) Barbara, Kathy, Jan and Dawncreated such beautiful journals.(Terry-we missed you!!)
It is a privilege watch the learning process
and see the techniques so uniquely expressed in the student's work. Love it!!


Diane and Sheryl are always such fun and wonderful hosts!-The Lemon Cupcakes were delish:)The sisters were in rare form as always-lots of laughter, jokes, so fun!

This was an intense class with lots of new techniques. Dawn (above) is new to the art world-this was her first class. She created a journal in soft, muted tones that was gorgeous--look forward to seeing where her creative journey takes her:)

Whimzy is a magical place. To teach, take classes, to shop. I bought a boudoir doll from the 1920's that I'll be blogging about in the near future. Can't wait to go back!!
Thanks for Stopping By:)
oxJenelle

Day 28 - Woading with French General

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Woad Products at the French General


















Woad is known as "The European Blue"--It's an ancient dying process--alchemy.
 Last Saturday Kaari Meng, owner of the the French General hosted a full day of Woading with French Woad Master Denise Simeon-Lambert.For Lydia and I, the day started out with a drive up to LA. 

 The French General is very low key on the outside...

BEAUTIFUL on the inside.

Then we headed to a private field in Elysian Park and started Woading

The dying process is fascinating. As you pull your fabric out of the vat its yellow for a second, then oxides green then deepens into an incredible shade of blue.Above- (L-R) Janette Ponciroli, Lydia Reza and Joan.

Each vat creates a different color of blue


Clothes lines as far as the eye could see!


then back to French General for some Lillet, a French aperitif.  Kaari's father, Dick tended bar. Too fun!

A lovely end to an incredible day.
A huge thank you to Kaari Meng and all the wonderful folks at
The French General.

Thanks so much for stopping by.

ox
Jenelle

Day 29 Teaching at Banana Rose

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I'm so excited to be teaching Mixed Media Techniques at   Banana Rosein WestlakeVillage.  Cory Jaki, along with her beautiful daughter Hannah, have created a veryspecial and unique boutique. You can shop, take a healing arts or creative arts class-wait for it--...on the waterfront!!
Always a friendly greeter at the door :)
On Tuesday, May 29 I'll be teaching Mixed Media techniques- we'll be collaging on a canvas using all kinds of ephemera, paint, textures, millinery bits and bobs. So fun!

If you'd like to join us, you can get all the details and register at:Banana Rose Mixed Media Registration

Hope to see you there!
Thanks for stopping by.
oxJenelle

25 Haziran 2012 Pazartesi

More Good News at the end of the first week of Ibrutinib (PCI-32765)

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The exam at clinic today at the James by Gretchen, my PA, and Dr. Byrd confirmed my lymph nodes were much smaller.

My white blood count and lymphocytes doubled but only from six to twelve and from two to four respectively, but everyone seemed happy with those numbers.

Dr. Bryd says the rise in the lymphocyte count is not a prerequisite indicator of the ibrutinib working. Not at all. I had expected a much higher jump up in the ALC (lymphocytes) with my nodes shrinking so much and the unanchored clonal B cells needing to go somewhere, but Byrd said that in those such as me with ofatumumab already aboard, may not get as big an inflection in the counts.

Hgb is stable but still a touch low, eosinophils are up a bit again, and neutrophils and platelets are all good.

My GI issues are manageable and should gradually improve. Apparently they are more common on those of us like me with big abdominal nodes. They usually decrease over a few weeks. Makes sense.

And Dr. Byrd says he reads my blog. I feel honored.

The news is very very good. Still tired and muscle pains, but happy. More soon.

Very bad and irrelevant news: Ibrutinib (PCI-32765)

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Soon after I first arrived here, I hinted at some bad news that I needed some time to digest.


As circumstances developed, I didn't see Dr. Byrd for several weeks to get the proper perspective and then I had to digest what he said.


The good thing about CLL is even with bad news, you almost always have time to analyze your circumstances, adjust to the new realities, under react, and move forward. 


I also wanted to wait to share with you until I had more distant from the shock


Let me set up the story.


Just before I came to see Dr. Bryd at OSU to assess whether I was a good candidate for his trial, I had a bone marrow biopsy with Dr. Kipps to show that I  had recovered my CD20+ after all my rituximab, an inclusion requirement for the clinical trial with ofatumumab and ibritinib and to assess my status.


That bone marrow biopsy done two months early showed slightly less than 10% CLL (with CD 20 positivity), and my old friend 11q deletion back in 11.5% of the the cells analyzed. The marrow was pretty healthy. No big surprises.


I tried to talk them out of another biopsy at OSU, but they insisted. 


It told a different story.


They use mitogens or stimulants that makes cells divide and thus make it easier for the pathologist to find genetic abnormalities.


And they sure did.


The FISH testing found over 50% of my cells as being 11q deleted.


For the first time 13q14.3 (D13S319) and l-3q34 (LAMP) were both positive.


And:


17p1-31 (TP53) which should be 0-6% of the background population was positive at 7.3%. Not a strong signal, but not a signal I wanted to see at all.


And worse yet, the cytogenetic studies showed that I had not one but two evil clones with "complex karyotypes" that confirmed the FISH findings and re-enforced my bad prognostics and suggested likely resistance to most therapy.


My cancer apparently consisted of two clonal populations, both nasty and both pretty bizarre. Bizarre is bad. Bizarre is aggressive and unresponsive. 


This was very dark news indeed. 17p deletion is usually a clarion call for a transplant. Nothing else reliably stops its often furious and fast fatal march. Complex cytogenetics may make any decision, transplant or other therapy more problematic. Clonal evolution is itself a very poor prognostic indicator. Zap 70 +,  unmutated, CD38+.  I had just about every bad omen.


Things were not looking good.


Now before I proceed, I must point out that comparing the sudden change to a much more aggressive and hard to treat cancer in the 60 days between Kipps' and Byrd's biopsies is not fair because the two labs were using very different techniques.


The mitogens employed by the team at OSU are used precisely because they powerfully stimulate cell division, and thus can demonstrate and some would say artificially inflate genetic abnormalities.


The two methods are looking at very different raw material. Comparing apples and rabbits. Static and active. Most research and data you see in the journals and at conferences still asses their findings the way Kipps' lab did with the static FISH studies. That is the existing standard when a paper says that 20% of the patients were risk risk 17p or 11q. 


So there may be much less change in the 60 days than the numbers suggest.


But the realist in me, says it is still some kind of devolution.


And Dr. Byrd said that these low level findings may not be accurate, as the 17p is the most difficult probe to nail against the background noise. It may mean nothing. It may be a false positive.


The skeptic in me says it must mean something.


Moreover, Dr. Byrd (and Dr. Keating agreed) reassuringly stated that he has seen these low levels of 17p disappear. 


The worrier in me wonders if they are really gone or just hiding? 


But what makes all this speculation and grim foreshadowing and ruminating moot and irrelevant is that I am responding to the ibrutinib.


The proof is in the pudding.


It's working. 


IT'S WORKING!


Some data generally suggests that, at least at first, low levels of 17p del are not as a important factor in response to most therapies as are high levels.


Most importantly, as I have posted before, there is little difference in the response to ibrutinib of 17p deleted patents compared to this with those with more favorable FISH. The depth or durability of the drug's activity seem blind to 17p deletion status. And there are theoretical reasons to believe that being the usual lousy ZAP70 + as I am might be actually be an advantage as PCI-32765 blocks B cell signaling and ZAP70 is all about signaling.


It is all irrelevant as long as the pills work their magic. So far, so good.


What it does tell me, is that it was one of my more prescient and fortuitous moves to push to get into this trial when I did. It's closed now.


If I had not, I would not  had a second biopsy and would not have known of my clonal evolution and the sinister loss of a 17p. 


When it came time (sooner rather than later)  that I needed treatment, my options would have been very limited as most therapies are inactive or pretty toxic or both when you don't have a working P53 pathway (usually found on my missing 17p) to tell the cells to die. Making matter worse, many trials with ibrutinib or other tyrosine kinase inhibitors would exclude me because of my prior transplant.


Of course, there still exists a few scary "what ifs" and "what nexts". Planning for them has become much more difficult and constricted. But that can wait.

Right now, the overwhelming sense I have moment to moment and week to week is just I how fortunate I am to have made the jump to Columbus, Ohio when I did.


I am very lucky and very blessed and very thankful to be here. Now.

Alemtuzumab in Combination With Methylprednisolone for 17p deleted patients

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J Clin Oncol. 2012 May 10;30(14):1647-55. Epub 2012 Apr 9.

Alemtuzumab in Combination With Methylprednisolone Is a Highly Effective Induction Regimen for Patients With Chronic Lymphocytic Leukemia and Deletion of TP53: Final Results of the National Cancer Research Institute CLL206 Trial.



Pettitt AR, Jackson R, Carruthers S, Dodd J, Dodd S, Oates M, Johnson GG, Schuh A, Matutes E, Dearden CE, Catovsky D, Radford JA, Bloor A, Follows GA,Devereux S, Kruger A, Blundell J, Agrawal S, Allsup D, Proctor S, Heartin E, Oscier D, Hamblin TJ, Rawstron A, Hillmen P.
This article (link here) is notable for three things.
First, it offers a very impressive response rate in the most difficult to treat patients. 85% overall with 36% CR (complete remission).  7 of10 patients with lymph nodes > 5 cm responded and two had CRs. Wow!
Second, it has a very high risk of serious infections. I quote:
"Grade 3 to 4 infection occurred in 51% of the overall cohort and in 29% of patients less than 60 years of age. Treatment-related mortality was 5%"

Still it is an options for those with 17p del who have so few options and a trial with tyrosine kinase inhibitor is not in the cards. It makes most sense in younger patients, younger being less than 60. It could be a bridge to transplant as median progression free survival was about a year, time enough to get the transplant team rolling and get the Campath out of your system.
Overall, however, it is a risky path as both HDMP(Methylprednisolone) and alemtuzumab (Campath) are very immunosuppressive. It is not just the risk of catching some bug. It is the risk of waking up something you already caught and that has been dormant for years such as zoster or CMV. The steroids have other significant side effects too and surprising  two out of three patients had grade 3 or 4 hematologic toxicities.
I might opt for HDMP+O myself if I wasn't in this ibrutinib + O trial here at OSU, but the data on HDMP + A is very persuasive and would need to be carefully considered.
Third and final point, one of the authors is the late great and much beloved Terry Hamblin. While admittedly, some of this is old data presented in 2009, it is updated for this 2012 publication months after his passing. 
Truly Dr. Hamblin lives on in the work he has done and so much more.
What a blessing his life was for those of us who knew him.
On personal note, I am continuing to do well in Columbus with my three grey pills of ibrutinib every morning. Looking forward to a few weeks of no infusions. I have less gut issues, more muscle pains, and smaller nodes. Life is good.
If the weather is good tomorrow I am going canoeing in Darby Creek. Dinner with new friends. Tonight went for a sunset walk in Prairie Oaks, a beautiful Metro Park. The Kings (HOW BOUT THOSE KINGS?) are on TV here.

I really like Columbus.
I am also really glad I will be home to stay in a few weeks. 
I have Stanley Cup playoff tickets that are finally useful and I have to sell them all. It probably will all be over just a few days before I get home. Maybe I can still catch the victory parade.

GO KINGS GO

PS. I love this kind of post: Raw science, good news, dear friends, nature, and hockey in one sweep!

A Personal Note: My Good News on Ibrutinib

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Let me get personal here.

While I believe with all my soul that we are all in this together and I celebrate every move forward as exemplified by the amazing 100% overall response rate of the first cohort in my clinical trials presented in the interim reports on ibrutinib (PCI-32765) at the annual 2012 ASCO (American Society of Clinical Oncology), let me now share my personal good news.

My "n" is one, not statistically significant, but personally critical.

After only one cycle of four weeks of ibrutinib, my CT scan of my thorax, abdomen and pelvis showed that all my lymph nodes had significantly shrunk.

Yahoo.

Some details: Here is what happened to my biggest honkin' mesenteric node left in my belly. It is now measuring 2.5 x 5.8 cm compared to 3.2 x 8.9 cm when I rolled into Ohio to start the trial, a dramatic reduction of about 50% in area and certainly more in volume.

Other nodes have shrunk even more, and they have shrunk everywhere - the pelvis, the gut, near the liver and the blood vessels, and in the axillae (armpits).

Now it is possible that ofatumumab may have played some small role in reducing my tumor burden as my baseline CT scan was done before I started my infusions of that antibody, but if I make the logical but unproven assumption that what was happening to my palpable nodes was being mimicked by what was happening inside, then ibrutinib did the lion's share of the clearing out the cancer. My neck and axillary nodes changed little on the OFA.

But add the ibrutinib, and one formerly huge internal nodes that was 10.1 cm is now a petite 3.3 cm.

And all this in only four weeks, with almost no side effects and nearly normal labs and improved energy.

I harbor no illusions. A persistent 5.8 cm lymph node is still a nasty thing, but I also have no reason to doubt that it and its buddies will soon to be shadows of their former bulky selves. My palpable nodes are certainly continuing to get smaller and smaller.

What I know now for sure is that I have had a profound and deep response, despite my two evil complex clones, despite my failed transplant, despite my new small batch of 17p deleted cancer cells, despite the immaturity of my clone being unmutated and the chattiness of it being CD38 and ZAP 70 positive, and despite just about every bad marker.

This is the best news.

How deep and durable my response will be is my next challenge, but for now there is much to quietly celebrate and good cause to be optimistic.

So I under react, stay both calm and hopeful and move forward.

It has been wonderful to be home for a few weeks with my family and friends and patients and cat and the Pacific Ocean.

This weekend, I am off to Houston to lecture on CLL, transplants and anemia. The weekend after is Dallas, then back to OSU for more lab and to pick up 28 more days of ibrutinib.

Life is sweet.

Control, Not Cure: A New Path Opens Up Four Years Later - Transplant Then, BTK Inhibitor (Ibrutinib) Now

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Four years ago today, I was admitted to City of Hope for a first remission hematopoeitic stem cell transplant. It was and still is the only possible path to a cure for CLL.

The only way to say: "I used to have cancer."
At that time not only was CLL incurable outside of a high risk transplant, there were no options that had even been shown to prolong life.
Now we have proven that FCR can add years to our life. The same is probably (but not certainly) true for BR and perhaps other very effective chemo-immunotherapy cocktails.
But FCR is hard on the marrow and not a great choice if you are older or more frail or have an auto-immune history such as ITP (as I do) or AIHA or if you are 17 p deleted or otherwise F refractory.
As those or you who have followed me from the get-go know, I failed my transplant because I rejected the graft. I was too healthy from an immunity perspective. With no graft aboard, I never had any of the desired graft versus tumor effect. Within a year I had relapsed and needed treatment again for my ITP and later my CLL.
The transplant didn't cure me, but it didn't kill me either. What it did do was buy me time until the game changing new therapies showed up.
Because of the brave souls who entered into phase 1 trials of an unproven and radically different  approach to CLL, I was able to follow their trail into a more mature and certain trial for a tyrosine kinase inhibitor, in my case ibrutinib (formerly PCI-32765) that blocks a pathway that is jammed in the on position inside my cancerous clone. It keeps telling my cells to proliferate and never die.
Not a cure, but a promise of longterm control with a very manageable downside.
There are other similar small molecules and pathway blockers and promising new antibodies and immune modulators out there that are changing the way we will approach CLL in particular and cancer in general.
Four years after I entered hospital on my high stakes gambit to be rid of this cancer once and for all, I am shifting gears. My transplant failed and since I never engrafted, it is almost as if it never happened. All my benefits (and risks) were from my one week of high dose FCR conditioning.
Today I am amazingly healthy after seven years of a battle with a persistent and aggressive enemy, but  now I have a kinder gentler approach and it seems to be working. Let repeat today's theme: Control if not cure.
I have made the shift. I was lucky to be able to see how the paradigm was changing and make a move. 
I can now clearly envision a new future that was just a distant speck on the horizon four years ago.
I can live with that.
G-d willing, for a long, long time.

24 Haziran 2012 Pazar

Little Dead Riding Hood

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Another take on LRRH I haven't seen before but which makes a lot of sense: Dia de los Muertos (Mexican Day of the Dead) meets Red Riding Hood. (Not sure why it's cosplay, rather than just a Halloween costume idea.)

And, without too much hunting, I found a Snow White as well. (Gotta love the nod to going organic in this illustration!) But where's Sleeping Beauty?*


FYI a fascination with Dia de los Meurtos make-up is another of those surprising trends I've seen among fairy tale enthusiasts on Pinterest. It's not unusual to find more than a few examples of costume-like Dia de los Muertos make-up on our friend's boards, if they don't happen to have a whole board already dedicated that is. 



Also in this vein (oops, punny!) we find corpse brides (other than, but including, Tim Burton's Corpse Bride) as well as death and the maiden posters and illustrations, variations on Ophelia and other "beautiful dead". Even more interesting is that this is all quite separate from any zombie, vampire or gothic trends, though they sometimes overlap.

Fascinating, no?



Marigold by Syvia Ji
When you think about it, it's not that far fetched. Much of the Dia de los Muertos make-up and costumery walks the line between creepy and beautiful just as many fairy tales do. We often talk about the need for fairy tales with teeth but perhaps we should say "teeth and bones". 


I do feel we miss out on a lot when we're not surrounded by culture steeped in old tales and traditions. So many cultures have fairy tales that include the dead (and I mean regarding the heroes and heroines) and I don't think it's a coincidence that many of our better known/most loved tales deal with death in a fashion too. Unfortunately we're way too good at cleaning it up so we forget what we're looking at anymore. 


One of my favorite lesser-known fairy tales is The Singing Bone or The Twa Sisters. I've never read a retelling, though I did briefly sketch out the "bones" of a script a few years ago (sorry - apparently it's a punny day), which perhaps I should unearth again sometime. Now I can envision the whole story with a Dia de los Muertos style to it.

*I found one but it was just lines over a Disney drawing, not really a tale revisiting. Interestingly, the just released photo of Angelina Jolie as Maleficent, complete with horns kept surfacing in variations of this search.

CW's Beauty & the Beast Extended Preview

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Playing catch-up...

In case you missed it, here's the 5 minute extended preview of CW's Beauty and the Beast scheduled to premiere in the US in the Fall:


The 5 minutes looks very much like an entire episode edited down to its main scenes, which is disappointing. What's left to tune in for if you've seen it all? Let's hope there's more to it other than "Why was my mother murdered?".
In the premise details, the post-9/11 Iraq War reference (military experiments make a beast out of a man) isn't as completely hokey as expected but I still have major reservations - especially since we end up with a very clean-faced broody guy with a not-at-all-authentic-looking scar placed just "so". Perhaps it's just that the writing is too obvious for me. ("You're like a superhero!") I'm hoping they're not going to state the obvious for the audience every time. Scratch that. I hope they don't do it again. If they want any of the cop procedural demographic they're going to have to write smarter, harder and use far more subtlety. Hopefully the actors are good enough they will get the message across without needing to utter the subtext but it's an important risk to take if you want to be a memorable series.
On the flip side, one of the promos says "All men have a dark side... but not like this" and in this case I truly hope they mean what they're saying. In order to make this show interesting we're going to really need to see the monster inside the man*- and hopefully the monster isn't typical either. The Beast we're seeing just looks conflicted about his transformations, ashamed of his appearance and rather hormonal - ie broody. Not exactly an attractive quality in a leading man (or woman).**
Regarding the actors, it's nice to see a more mature Kristen Kreuk. Except for the flashback, she works better than I thought she would with that little edge to her. I think I even caught glimpses of some character layering in there (fingers crossed). The Beast, on the other hand, is unfortunately rather forgettable. I don't even have the sense that he's had first hand experience of a real war, let alone anything else he's working through. Let's hope that was just due to editing for this clip.
The thing I'm really missing in this preview from the original series? All the underground stuff and that vague sense of fantasy just out of reach. That was what captured my imagination then and makes me remember it now - a whole other world right under our feet. I must admit I had little patience with the series in the 80's - it was too slow and angsty for me - but I kept trying to tune in from time to time to get another glimpse of the hidden world. 
One more peeve - the promo image/poster. Ugh. The actors look like they were shot separately and 'shopped together - no chemistry at all. I know they were directed like that but the result is you can almost overlook the fact that there's a guy standing next to "Detective Catherine Chandler". He looks completely replaceable. And it doesn't say Beauty and the Beast to me at all. 
Maybe I'm being harsh but I expect more from people using fairy tales (I wonder if the writers and creators actually went back to the tale or completely took their cues from the original series?) and also from any type of police procedural or reference to any war we've had friends and family fight in. These are the days post-CSI and 24, which raised the standard for details and suspense. Since almost everyone reading this blog will remember the Twin Towers falling on 9/11, no matter what country you were in, any reference to that has to have substance. It's not a vague historical point in time to hang a plot point on but a very real wound for too many people today. Ironically, this is what fairy tales are very good at helping with but you have to be very smart about it as well as honest while still being respectful. That's not an easy job. While I would sincerely love for that rabbit to be pulled out of CWs hat my expectations will likely remain low on that point.Right now the only reason I'd be tuning in is because of the fairy tale connection but it's early days yet. There's much more promo-ing to come so hopefully we'll get a real carrot sometime before the Fall season starts. You never know: a rabbit might just appear.
* Eg In Buffy, we saw all this angst and unrequited love happening but it was really when Angel and Buffy finally got together and Angel turned Bad with a capital "B" that things got very interesting - and mythic. For the first time we saw this "person" be truly evil. Although he had the reputation of being the baddest of the bad, we didn't really believe it till he turned into an actual killing machine and became a very real threat to his one true love. Because bad should be BAD and not be sitting on the fence. There's no point to a story if there's no real threat, no conflict. Fairy tales are very clear about that!**Even the Angel paradox got tiring after a while, despite seeing him get his evil on, first hand.

Pixar's "Brave": Release Day

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Today's the day. It's the "other" big fairy tale movie of the year, by which I mean the other movie which will have an effect on how people view fairy tales this year and how movie studio and TV series executives will consider spending their money with regard to other fairy tale fare. Personally (and despite all you will read in the next post) I'm very much looking forward to seeing it.

Here's a clip to whet your appetite:
Pretty, yes? And moody in the best way. It's going to look amazing on the big screen.

The clip reminds me of Secret of Kells but then it probably should - and the association is a good one. Brave will be very different in many ways, of course, but there's no doubt it will be beautiful too.

Pixar's Brave to Change the Fate of Princess Culture?

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While it's a given that Brave will be a beautiful film it is interesting to see the smattering of mixed reviews surfacing in its debut week. There are the expected rave reviews and gushing over the lush animation and the feisty red-headed princess but there's been more than a little criticism too.

Why? Three theories:

1) Merida got upstaged
Pixar was a little late to the theater with their feisty heroine this year. Since we've had Hunger Games and Snow White and the Huntsman provide audiences with larger-than-life kick ass girl-women, seeing Merida do much of the same is, sadly, a little like deja vu, despite that this is the first family film in that vein where the others were mainstream (or perhaps teen-stream).

The "Brave" wigs
2) Too much hair
There's waaaay too much emphasis on all this hair! Maria Tatar recently linked to an article and it seems Ms. Tatar has the right of it when she noticed the topic continually returning to Merida's hair. It's what everybody - creators and marketers - seem focused on. Hair! A quick story to illustrate: my husband is currently working in downtown Hollywood and, in his words, this is what he saw:
This morning when I came out of the Hollywood/Highland station I saw, walking down the street in front of me, two women with a little girl and a young boy. Both women had curly, curly long red-orange hair and the girl was carrying a chunk of red-orange hair. This seemed a bit odd to me until I realized that they were walking away from the El Capitan theatre and were wearing "Brave" wigs. The boy was having nothing to do with the females and was walking apart from them. He had no wig.
I think this scene is a good example of the response we're seeing all over. Despite how strong, feisty and brave Merida is, with marketing campaigns like Target's stating: "Look pretty and be brave, too" we've diluted anything important the film may have had to say. But that's not the whole story either.

3) Change your fate. Or not.
Even more importantly, it would appear the entire story has already been told in the promotional fare and there's really nothing more to Princess Merida than we've seen. Although she's feisty and defies convention she doesn't really have a direction or drive once she's able to do all the things she wants. In other words, we have a princess who is behaving like, well, a princess. There's no saving her people, the world or anything else going on. She makes a mistake and has to repair the damage she's done but, in reality, though she grows closer to her mother, nothing much else appears to change.

There's an interesting article in Time published today, titled: Why Pixar's Brave is a Failure of Female EmpowermentUnlike the writer, I don't have a problem with Merida being a princess. Nor do I have a problem that she has to deal with the marriage issue. For the era, that was primarily what princesses were useful for: forming alliances by joining in marriage and producing heirs. How she deals with that is where she has to show her individuality. What is a problem, though, is the lack of both growth and of personal purpose by Merida, beyond the crisis (of her own making).


From the article:
The best parts of Brave are the scenes involving the changed Queen Elinor, now a gigantic bear. But despite a lot of superficial talk of fate — “Our fate lies within us. You only have to be brave enough to see it” — her physical metamorphosis represents the main transformation. Other than deciding her mother isn’t so bad, Merida doesn’t really grow. She’s simply extended her time as a tomboy, another archetype, less a girl than a stereotype of a kind of girl.  “It wasn’t clear to me what her arc was,” Orenstein (FTNH ed: author of Cinderella Ate My Daughter) says. “What is it that we are imagining girls moving toward here? ‘I get to ride around on a horse all day’ isn’t really enough. That isn’t going to take her anywhere. There wasn’t a desire to do something.” 
This wouldn’t feel so vaguely unsatisfying if Brave were just one of many Pixar movies that featured a strong female lead. It’s the absence of others that turns the spotlight on Brave. And having a princess protagonist isn’t inherently bad. It’s just that she is so chapter one of what girls can be — and so many other Pixar movies skipped most known chapters and moved on to whole new volumes. (FTNH: bold emphasis mine)
You can read the whole article HERE.
There's one other issue that appeared in the comments regarding the grilling Brave gets in the article. I feel for the parents who are tired of every movie needing to "be a good example" for their children when all they want is good, clean entertainment. I would wholeheartedly agree except for one major thing: the marketing push and resulting peer pressure from the toy angle (even four year olds will influence their peers with regard to what is "cool"!) really does speak as loudly, often louder, than the most conscientious parents. and that's when a kid hasn't even seen the movie! When the best way for a child to recapture their personal movie experience is through a toy or book with the same images, that's the "message" that will sink in and stay.

What if the marketing for Brave was more gender-neutral, or perhaps aimed more toward tomboy-girls and boys at most, rather than at the princess culture girls? Instead of exiting El Capitan with giant red-orange wigs what if each kid got a sword or bow and arrow? (No floaty blue dresses in sight either, thank you.) Do you think the boy my husband saw would have been keeping himself so carefully separate from his "wimminfolk" then? I don't think so. I think he'd be (happily) trading blows and bruises with his sister, complete with sound effects of turning into a bear of which his sister would no doubt (happily) match him roar for roar.


There is one other interesting observation by a few of the commenters on the article that I want to highlight too. I'll quote the shortest one:
I'd appreciate if films with female leads had adequate male character. I don't understand why "female empowerment" films have the need to portray men as incompetent goofs.
They have a good point and there's more in the comments expanding on it too. The presence of a "strong" female character does not exclude the presence of strong men. The now go-to standard in family films (making the men less competent to make the women appear more so) isn't good for boys, for assertive/kick-ass girls OR for the princess set. I'll let you read the debate (and rants) for yourself.

One thing I do agree with the writer on, though, is that I hope Brave does well - really, really well actually. Why?
1) I would like to see more lead heroines from Pixar. With the marketing force of Disney behind them, Pixar does have a great influence on kids. I'd like to see what other female leads they come up with and hope that the results are as "groundbreaking" as everyone's been hoping Merida would be.
2) I'd like to see more fairy tale fare handled by Pixar (and Disney) story people, especially now that the public view on fairy tales has changed somewhat.

Study of Frank Duveneck's The Guard of the Harem

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Frank Duveneck painted the original in 1879, and it is now part of San Francisco's DeYoung Museum permanent collection. The eyes of this Guard just seem to draw you into his world of power, intrigue, betrayal, and longing.
I sought permission from the DeYoung Museum for an on-site study of this particular Duveneck piece. After finally working my way through the proper chains of command, I was given a few disheartening answers of NO. The reason being was because oil paint mediums fall into a "hazardous solvent" category established by San Francisco's Health and Safety Commission. (However, I was more than welcome to use other drawing/painting materials such as pencils, color pencils, oil crayons or water colors.)
The Louvre and Prado as well as most other European museums have promoted this form of study for centuries and it has proven invaluable to artists.
This obstacle required me get a little more creative making several trips to the DeYoung in order to capture the secrets of this painting (for example, only 5 colors were used in this entire painting). I'm sure Duveneck would not have minded a respectful study of his work. Here is a link to a book a book on Frank Duveneck: Unsuspected Genius: The Art and Life of Frank Duveneck.
 [Detail of Sean Patrick McArdle's Study of Frank Duveneck's Guard of the Harem]


23 Haziran 2012 Cumartesi

Hot Chocolate and Hospitality

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We love the local charm of our home here in Laguna Beach. And what better way to kick off the holidays than with a little Laguna Beach hospitality? That's right, tomorrow night is Hospitality Night in Laguna Beach. The festivities are downtown 5:00-9:00 PM. Here at Pacific Edge Hotel, we are getting into the holiday spirit with a Hot Chocolate Happy Hour starting at 4:30. Cheers to the holiday season!

Check out OCinSite.com for more details:
http://www.ocinsite.com/index.php/calendar/details/hospitality_night_in_laguna_beach?utm_source=Firebrand+Media+LLC+List&utm_campaign=a57ff0e77b-Weekly_Line_Up6_14_2011&utm_medium=email

Seasonal Sunset

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We locals may be all bundled up for the winter, but sixty degrees and sunny may not sound like winter to a lot of folks out there. If you're headed out of town for the holidays, keep warm. And if you're headed into town for the holidays, welcome to Laguna Beach.
Celebrate the season with us here at Pacific Edge Hotel, one of Sunset Magazine's 25 Best Hotels in the West.
Happy Holidays!

http://www.sunset.com/travel/best-hotels-in-the-west-00418000073593/page24.html

Winter Wonderland

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With the holidays behind us and Spring so far in the distance, we have a long stretch of winter ahead. For the locals, the 40- to 50-degree Laguna nights certainly put a wintery nip in the air. For those of us who are transplants or just visiting for a while, this is quite a ways from the winter woes we're used to. With the beautiful sunny, 70-degree days, we may even forget that some of our far-away friends are defrosting their cars and shoveling themselves out. To those of us lucky enough to be in Laguna Beach this time of year, let's lift a glass in a toast to the tremendous retreat we have surrounding us. For those of you shivering in the chill of the real winter weather, we hope to see you soon!

Fun in the Sun for Charity

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Thank you to everyone who joined us for the sold out Snack, Sip, and Surf event we hosted here last weekend. As part of Laguna Beach a la Carte, our local foodie festival, we mixed it up a little for charity.
A mixology competition with five of the hottest mixologists in Orange County, a taco showcase with some of our favorite local taco joints, and a paddle board relay race with some of our local pro-surfers.
What could be better than snacking, sipping and surf fun? Doing it for charity!

http://storify.com/marciemarketing/pacific-edge-hotel-hosts-fun-charity-event?awesm=sfy.co_hJI&utm_campaign&utm_medium=sfy.co-twitter&utm_source=facebook.com&utm_content=storify-pingback

http://www.examiner.com/restaurant-in-anaheim/snack-sip-surf-event-at-the-pacific-edge-hotel-laguna-beach-ca

http://www.facebook.com/media/set/?set=a.325015260887881.75775.179617545427654&type=3

Best Places To Take Out-of-Towners in Orange County

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We are thankful to be at the top of CBS LA's list of the best places to take out-of-towners in Orange County. Thank you to Debbie Lavdas for sharing her experience with us. When your guests come into town, don't miss showing off the wonderful views you have right here in your backyard. And with the weather we're having, who needs to wait for out-of-towners? Treat yourself to some cocktails and tasty treats, while taking in the breathtaking views at Laguna's only restaurant on the sand. 

http://losangeles.cbslocal.com/top-lists/best-places-to-take-out-of-towners-in-orange-county/

21 Haziran 2012 Perşembe

The Mythic, Magical and Endearing Art of Andy Kehoe

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All Turns to Brilliance - Andy Kehoe
Artwork made before the world ends. Paintings also double as radiation protection for the nuclear winter and some can be eaten like beef jerky.
Onward Again My Friend by Andy Kehoe
Roamer of Reverie by Andy Kehoe
This is the introduction to Andy Kehoe's work for 2012 on his website.

For 2011 it was this:
Paintings best enjoyed with smile on face and bourbon in non-mouse hand. When possible, fill room with the smell of burnt gun powder and bacon. At least four gas lanterns recommended for lighting. Legs can either be crossed or uncrossed. Remove Shoes.Thank you.Management 
Affinity to Unfamiliar Worlds by Andy Kehoe

With such introductions to his art, along with a blog titled: Tall Tales of Depravity - The place to be for Kehoe matters and whisky fist fights, it's clear this Pittsburgh artist doesn't take himself too seriously (we approve!), despite that his work is beautiful, mythic, simply stunning and yes endearing (or should that be en-deer-ing?). I think the title of the work at the head of the post says it well: "All Turns To Brilliance".
Together at the Threshold by Andy Kehoe (created 2012 for his fiancé)

It does seem that there is something very special about Mr. Kehoe's work. Even in his earlier pieces you can see a particular style and sensibility that suggests we live with fantasy, if only we had the eyes to see it (as he apparently does).  In 2011 that sensibility blossomed even further with a richness in colors and what seemed to be additional dimensional depth in his paintings.
A Fading Farewell by Andy Kehoe



I've noticed certain trends on Pinterest among fans of fairy tales and one of those are men, women, children, creatures and other beings with antlers. Fairy tale images of woodland beings with horns and antlers of various sizes populate fairy tale themed boards consistently, as do forest with sentient looking deer. I don't think this is coincidence.



On the Banks of Broken Worlds by Andy Kehoe

There is something royal yet wild, gentle yet dangerous, commanding yet connected, natural yet "other" about deer. Fawns, doe, stags, hinds with antlers, golden-antlers, white harts, brother deer and horned gods as well as those of the Wild Hunt and all their half-breed fae brethren easily capture our attention in fairy tales and often appear in fairy tale illustrations, even when there is no specific reference to one in the corresponding text. A stag doesn't need to transform into a man to have a sense of magic, he carries it with him.

In Marie-Luise von Franz's book, The Interpretation of Fairy Tales she discusses the primal reaction we have to the image of deer in tales and the importance of the majestic stags being able to shed their antler crowns, so as to grow new horns. She says: "The shedding of the antlers is probably the natural basis for all the mythological transformation attributes of the deer. In medieval medicine, the bone in the heart of the deer was thought to be beneficial for heart trouble."

A Moment of Respite by Andy Kehoe



Here's a larger quote from the same chapter, Shadow, Anima and Animus:

Whether or not it was his intention, these aspects - both the fascination and the dread - are definitely communicated in Mr. Kehoe's work.

When I see so many people across the web and in Pinterest - especially those who have an interest in myth and fairy tale - gathering images of deer and antlered beings it's clear this sense of wonder with such is just as strong today as it ever was. In fact there are so many comments, from very different people and many different backgrounds, that say the same thing: "I wish I had a pair of antlers!"*
Grief and Glory by Andy Kehoe

The antlered and horned creatures in Mr. Kehoe's work bring a sense of connecting us personally to something of Wonder. I don't know how he captures it but the blend of wild and familiar, of both the playful and the melancholy, of a personal magic and at the same time a vast world of wonder; all these qualities pervade his paintings.
Under the Gaze of the Glorious by Andy Kehoe
I'm glad he's sharing the pictures in his mind. Some of them look familiar, but only because I'm sure I've seen some of these beings in my dreams.
Lord of Ghouls - Arise Feral Night, Roq La Rue by Andy Kehoe

Go, enjoy, support and tell him "More, more! The end of the world gets closer every day!" ;)

Andy Kehoe's website and portfolio are HERE, his blog is HERE, he's on Twitter HERE and he also has an Etsy store HERE, where you can purchase a little magic to keep for yourself (and perhaps help fund one of his numerous wedding ideas such as having "a small rowboat full of explosives and fireworks floating in the middle of the pond to be ignited with a fiery arrow the moment we both say, "I do." I have zero clues as to why that idea was shot down... ;)

*One very interesting image collection doing the rounds on Pinterest shows a wedding party taking fun photos as they're holding antlers to their heads. Despite the fun, there is something that elicits an "Ooh!" or "Awesome!" response from so many people, including, I must admit, myself. Perhaps it's just that, for all it's simplicity it's still rather Wonder-ful.