30 Eylül 2012 Pazar

W.H.O.A. - Women Helping One Another

To contact us Click HERE






Just spent an incredible time up at Paul Newman's Rowdy Ridge Camp--had the privilege of teaching the basic tenets of Art Journaling to the Moms of the Rowdy Ridge Campers.  It was an AMAZING experience! You can read more about it at WHOA Group Facebook page and W.H.O.A. Group Blog.

I've been asked a lot lately how W.H.O.A. started--and it truly has grown organically. I facilitate a site of incredibly talented, powerful women working together--what a privilege!

W.H.O.A. grew out of a speech I gave to a group of creative women and Women Helping One Another seemed to resonant with a shared desire for creative women to network, share contacts and resources, ask questions--help one another become successful--and then in turn reach out and help women in need transform their lives with art.



It's so exciting to share that we have members worldwide -  Australia, England, Germany--and we have a top web designer creating a new website/blog--seems like new things are continually being added. Below I've reprinted the aforementioned speech. If it resonants with you, I hope you'll join us at the WHOA Group FB page. 



Girdles, Pantyhose and Spanx


It was such a privilege to speak to an incredible group of women back in October of 2011.  I'm overwhelmed with gratitude for the number of requests I've received to post my speech.  I've included it below- straight from my notes. I would love any comments or feedback you may have.
oxJenelle
Add caption
Girdles, Pantyhose and SpanxW.H.O.A.- Women Helping One Another
So...I'm talking to myself in my studio, right? I'm trying to get to the essence of what I'd like today's talk to be about--because over the past year I've discovered the importance of surrounding myself with women who are encouraging and empowering. So there it is, the phrase "Women Empowering Women"!  I come from the high-tech computer industry, so I love a good acronym - W.E.W. - what does that spell? W.E.W. (yell it loud like Whoo!)- -Can I have an amen?!
So...I'm still in my studio talking to myself, right? Only now I'm yelling, "W.E.W.!" "W.E.W." -and my husband walks in and says, "What are you doing?" I explain that my talk is going to be about Women Empowering Women, The Ripple Effect and Women Helping One Another. Suddenly my husband says, "Whoa". I say, "What?" He says, "W.H.O.A. - Women Helping One Another. Whoa is such an appropriate word because when Women Help One Another - obstacles, fears and negativity are stopped dead in their tracks. Powerful. I thought it was so cool I had to shout "W.E.W." one more time!
Why do I want to talk about Women Helping One Another?  Well, since last October my art and art business have had the most incredible year--prior to that--I'll give you the Reader's Digest version--I was a   VP in the computer industry, got fibromyalgia and had to give up my career. I was devastated. I discovered my entire identity was wrapped up in that job. I felt like Juliet in Shakespeare's Romeo and Juliet -when she goes to the Friar and says, "I am past hope, past cure, past help." With nothing to lose, I picked up paintbrush--it was so healing! It literally gave me back my self esteem. Art allowed me to heal and reinvent myself. I wanted to "pay that forward"so I started teaching adults who don't know how to paint - how to paint. And that is what I did from 2006 until last October. Since October,  my hand painted ornaments were sold at Knott's Berry Farm, I've had the privilege of speaking twice at Launch Your Creativity, participated in Rita Reade andChristie Repasy's beautiful Vintage Marketplace, taught Coptic Journaling atWhimzy and in two weeks I'll be at Glitterfest--I share this with you very humbly --because since 2006 I had the same aspirations and dreams to move forward - to sell my art --what changed? What happened to me that was different? In each instance, where there was a large step forward--I could trace it back to being encouraged and empowered by another woman--either directly or indirectly. I call this The Ripple Effect.
I could talk about the Ripple Effect that occurred between Picasso and Matisse, and how their work inspired and influenced one another, how their friendship empowered them to go the distance, how they then influenced their contemporaries and went on to inspire the entire art world--their work still inspires us today. But for today, I'd like to keep the examples a little bit closer to home. I'd like to share with you what I've experienced over the past year.
There was an artist who saw my ornaments back in 2006 and told me they would be perfect for Knott's.She offered the contact info. I thanked her and politely declined - explaining that I wasn't ready yet-I hadn't been painting long enough. She approached me again in 2007. 2008. 2009. Each time I politely declined, saying "I'm not ready". In my head I thought I needed to take more classes and needed more designs, but the truth is -- I was in fear that my art wasn't good enough. In 2010 she didn't approach me--she gave my phone number to Knott's and they contacted me directly, asking me to come in for an interview. As a courtesy to my friend, I thought the least I could do was suit up, show up and show 'em my artwork. I did and was delighted with their response. That is how my ornaments got into Knott's. Women Helping One Another. Powerful. It's the Ripple effect.
My favorite example of the indirect Ripple effect involves two women who could not be here today-I have their permission to share this story with you. Julie Nutting, who is an amazing Fashion Paper Artist-she's been published numerous times in the Stampington magazines and Paulette Adams--an incredible artist extraordinaire, seamstress, her ceramics are stunning --her blog was featured in Romantic Homes magazine last month. Both women are bloggers. So Julie was having a bad day and blogged about it. Paulette - having never met Julie--read the post and reached out to her. They got together and created a workshop which I had the good fortune to attend--and for me it was life changing. Beth Livesay was also there. This group of very accomplished artists shared from the heart and because they were transparent I discovered their fears and concerns were the same as mine. I was not alone. Paulette reaching out to someone she didn't even know had a profound effect upon my life. You never know where your kindness, your giving of yourself will ultimately land.  The Ripple Effect. Women Helping One Another.
Last summer, Lydia Reza approached me and asked if I'd be interested in meeting with a couple other artists to support one another in achieving our creative goals. I jumped in. In the beginning there was six of us--by October it was down to the core group- Lydia-and I didn't know Lydia that well - she had taken my painting classes and was good friends with my neighbor. The other woman was Sharon Hughes, whom I had never met. We started meeting once a month and called our group, "The Broad Squad". We shared our goals, created action items and held each other accountable. Sometimes we just shared and it was a therapy session. I always left the meetings inspired and on fire. Very quickly, these women became my very dear and close friends. In October, I recall Sharon sharing at one of our meetings that she wanted to put on an event that would inspire, encourage and empower women, the next thing we knew she'd met with Cheryl Turner and the date/time/place were all confirmed--and today we are all the beneficiaries. Women empowering women.
I love Julia Cameron's phrase, from The Artist's Way , she writes "in order to acheive escape velocity" she makes a list of friends who support her and a list of friends who don't. Those who don't,  Julia calls W.B.'s --for Wet Blankets--no one wants to wrap themselves in a wet blanket--she suggests we wrap ourselves in something else-something dry. Heated, fluffy towels.
Let's talk about those first - your heated, fluffy towels need to be your believing mirrors - those people who mirror and reflect back the truth of your art and your dream in a possible, positive, affirming way. They are believers, they know that sometimes Creative Success means creative failures, they believe in "trying and trying again". They are generous. They believe in you and your dream.
My husband is a believing mirror, Lydia and Sharon are believing mirrors for me. Can you write down three believing mirrors? Believing mirrors don't have to be family members or BBF's - they can be teachers...I've taken several of Rita's soldering classes. I learned a lot and consider her a friend. So, when my Vintage Marketplace booth didn't feel quite right- I asked Rita for input--and am so grateful that she didn't just say - "oh, it looks great". She gave me very thoughtful and insightful advice. She is a believing mirror. 
Now ladies, we've gotta talk about them, you all know them - Creative Snipers. Those people who you share your dream with and they tell you why you can't achieve it. Dreambusters. You say, I want to write a novel, and they'll tell you why you can't publish in this economy. J.K. Rowling, the author of Harry Potter, was rejected 12 times before she was published. 12 creative snipers said her work wasn't publishable. But nine of those rejections came through her agent. Her agent must of been a believing mirror who said, "This is awesome work, and we're going to keep submitting it". On the 13th submission, a small publishing company in London decided to publish it--to world acclaim. I think a lot of creative snipers are un-actualized artists, so I try to regard them with compassion. I'd like to think if they knew better, they'd do better. They may be wonderful friends to take to a yoga class, but its important to be aware that they are not a safe place to share your art.
So we talked about the Ripple effect, we've determined who our believing mirrors and creative snipers are - now its time to discuss "girdles, pantyhose and spanx" - in a nutshell - ladies, women need support! Creativity flourishes in a place of safety and acceptance. Success happens in clusters. If you don't have one already, I'd like to suggest creating your own Dream Team. Your Broad Squad, like the one recommended in the book,  Cash in a Flash. Author Robert G. Allen calls it a mastermind alliance - his definition? "Two or more individuals coming together to accomplish more than either could alone." Like Matisse and Picasso. Allen believes that to be a great person, entrepreneur, leader, artist, speaker or author you MUST have a dream team - "read any biography or autobiography and you'll find examples of this.
Men need support, too. A great example of a Dream Team, a success cluster, is a group of men who were friend BEFORE they were famous. They pooled resources and supported one another's dreams. They are George Lucas, Steven Speilberg, Brian de Palma, Francis Coppola and Marty Scorsese. Everyone benefits from pooling resources and generosity. Can you write the names of a potential dream team where you can pool resources and support one another's success?
I believe launching my creativity to the next level occurred because I was surrounded by supportive women, believing mirrors who empowered me to take the next indicated step, held me accountable. I am so grateful to these women - my "girdles, pantyhose and spanx" --cuz ladies, a girl's gotta have support.
Thank you. 

W.H.O.A. - How it Began

To contact us Click HERE

W.H.O.A. - Women Helping One Another

"We are so Powerful Working Together"

Just spent an incredible time up at Paul Newman's Rowdy Ridge Camp--had the privilege of teaching the basic tenets of Art Journaling to the Moms of the Rowdy Ridge Campers.  It was an incredible experience! You can read more about it at WHOA Group Facebook page and our blog -- W.H.O.A. Group .

I've been asked a lot lately how W.H.O.A. started--and it truly has grown organically. I facilitate a site of incredibly talented, powerful women working together--what a privilege!

W.H.O.A. grew out of a speech I gave to a group of creative women and Women Helping One Another seemed to resonate with a shared desire for creative women to network, share contacts and resources, ask questions--help one another become successful--and then in turn reach out and help women in need transform their lives with art.



It's so exciting to share that we have members worldwide -  Australia, England, Germany--and we have a top web designer creating a new website/blog--seems like new things are continually being added. Below I've reprinted the aforementioned speech. If it resonates with you, I hope you'll join us at the WHOA Group FB page. 



Girdles, Pantyhose and Spanx


It was such a privilege to speak to an incredible group of women back in October of 2011.  I'm overwhelmed with gratitude for the number of requests I've received to post my speech.  I've included it below- straight from my notes. I would love any comments or feedback you may have.

ox
Jenelle

Girdles, Pantyhose and Spanx
W.H.O.A.- Women Helping One Another
So...I'm talking to myself in my studio, right? I'm trying to get to the essence of what I'd like today's talk to be about--because over the past year I've discovered the importance of surrounding myself with women who are encouraging, inspiring and empowering.

So...I'm still in my studio talking to myself, right?  -and my husband walks in and says, "What are you doing?" I explain that my talk is going to be about Women being encouraging and empowering, The Ripple Effect and Women helping one another. Suddenly my husband shouts, "WHOA!". I say, "What?" He says, "W.H.O.A. - Women Helping One Another!"

 W.H.O.A! is such an appropriate word because when Women Help One Another - obstacles, fears and negativity are stopped dead in their tracks. Powerful. I thought it was so cool I had to shout "W.H.O.A." one more time--W.H.O.A!-
Can I have an Amen!
Why do I want to talk about Women Helping One Another?  Well, since last October my art and art business have had the most incredible year--prior to that--I'll give you the Reader's Digest version--I was a top executive in the computer industry, got fibromyalgia and had to give up my career. I was devastated. I discovered my entire identity was wrapped up in that job. I felt like Juliet in Shakespeare's Romeo and Juliet -when she goes to the Friar and says, "I am past hope, past cure, past help." With nothing to lose, I picked up paintbrush--it was so healing! It literally gave me back my self esteem. Art allowed me to heal and reinvent myself. I wanted to "pay that forward"so I started teaching adults who don't know how to paint - how to paint. And that is what I did from 2006 until last October. Since October,  my hand painted ornaments were sold at Knott's Berry Farm, I've had the privilege of speaking twice at Launch Your Creativity, participated in Rita Reade andChristie Repasy's beautiful Vintage Marketplace, taught Coptic Journaling atWhimzy and in two weeks I'll be at Glitterfest--I share this with you very humbly --because since 2006 I had the same aspirations and dreams to move forward - to sell my art --what changed? What happened to me that was different? In each instance, where there was a large step forward--I could trace it back to being encouraged and empowered by another woman--either directly or indirectly. I call this The Ripple Effect.
I could talk about the Ripple Effect that occurred between Picasso and Matisse, and how their work inspired and influenced one another, how their friendship empowered them to go the distance, how they then influenced their contemporaries and went on to inspire the entire art world--their work still inspires us today. But for today, I'd like to keep the examples a little bit closer to home. I'd like to share with you what I've experienced over the past year.
There was an artist who saw my ornaments back in 2006 and told me they would be perfect for Knott's.She offered the contact info. I thanked her and politely declined - explaining that I wasn't ready yet-I hadn't been painting long enough. She approached me again in 2007. 2008. 2009. Each time I politely declined, saying "I'm not ready". In my head I thought I needed to take more classes and needed more designs, but the truth is -- I was in fear that my art wasn't good enough. In 2010 she didn't approach me--she gave my phone number to Knott's and they contacted me directly, asking me to come in for an interview. As a courtesy to my friend, I thought the least I could do was suit up, show up and show 'em my artwork. I did and was delighted with their response. That is how my ornaments got into Knott's. Women Helping One Another. Powerful. It's the Ripple effect.
My favorite example of the indirect Ripple effect involves two women who could not be here today-I have their permission to share this story with you. Julie Nutting, who is an amazing Fashion Paper Artist-she's been published numerous times in the Stampington magazines and Paulette Adams--an incredible artist extraordinaire, seamstress, her ceramics are stunning --her blog was featured in Romantic Homes magazine last month. Both women are bloggers. So Julie was having a bad day and blogged about it. Paulette - having never met Julie--read the post and reached out to her. They got together and created a workshop which I had the good fortune to attend--and for me it was life changing. Beth Livesay was also there. This group of very accomplished artists shared from the heart and because they were transparent I discovered their fears and concerns were the same as mine. I was not alone. Paulette reaching out to someone she didn't even know had a profound effect upon my life. You never know where your kindness, your giving of yourself will ultimately land.  The Ripple Effect. Women Helping One Another.
Last summer, Lydia Reza approached me and asked if I'd be interested in meeting with a couple other artists to support one another in achieving our creative goals. I jumped in. In the beginning there was six of us--by October it was down to the core group- Lydia-and I didn't know Lydia that well - she had taken my painting classes and was good friends with my neighbor. The other woman was Sharon Hughes, whom I had never met. We started meeting once a month and called our group, "The Broad Squad". We shared our goals, created action items and held each other accountable. Sometimes we just shared and it was a therapy session. I always left the meetings inspired and on fire. Very quickly, these women became my very dear and close friends. In October, I recall Sharon sharing at one of our meetings that she wanted to put on an event that would inspire, encourage and empower women, the next thing we knew she'd met with Cheryl Turner and the date/time/place were all confirmed--and today we are all the beneficiaries. Women empowering women.
I love Julia Cameron's phrase, from The Artist's Way , she writes "in order to acheive escape velocity" she makes a list of friends who support her and a list of friends who don't. Those who don't,  Julia calls W.B.'s --for Wet Blankets--no one wants to wrap themselves in a wet blanket--she suggests we wrap ourselves in something else-something dry. Heated, fluffy towels.
Let's talk about those first - your heated, fluffy towels need to be your believing mirrors - those people who mirror and reflect back the truth of your art and your dream in a possible, positive, affirming way. They are believers, they know that sometimes Creative Success means creative failures, they believe in "trying and trying again". They are generous. They believe in you and your dream.
My husband is a believing mirror, Lydia and Sharon are believing mirrors for me. Can you write down three believing mirrors? Believing mirrors don't have to be family members or BBF's - they can be teachers...I've taken several of Rita's soldering classes. I learned a lot and consider her a friend. So, when my Vintage Marketplace booth didn't feel quite right- I asked Rita for input--and am so grateful that she didn't just say - "oh, it looks great". She gave me very thoughtful and insightful advice. She is a believing mirror. 
Now ladies, we've gotta talk about them, you all know them - Creative Snipers. Those people who you share your dream with and they tell you why you can't achieve it. Dreambusters. You say, I want to write a novel, and they'll tell you why you can't publish in this economy. J.K. Rowling, the author of Harry Potter, was rejected 12 times before she was published. 12 creative snipers said her work wasn't publishable. But nine of those rejections came through her agent. Her agent must of been a believing mirror who said, "This is awesome work, and we're going to keep submitting it". On the 13th submission, a small publishing company in London decided to publish it--to world acclaim. I think a lot of creative snipers are un-actualized artists, so I try to regard them with compassion. I'd like to think if they knew better, they'd do better. They may be wonderful friends to take to a yoga class, but its important to be aware that they are not a safe place to share your art.
So we talked about the Ripple effect, we've determined who our believing mirrors and creative snipers are - now its time to discuss "girdles, pantyhose and spanx" - in a nutshell - ladies, women need support! Creativity flourishes in a place of safety and acceptance. Success happens in clusters. If you don't have one already, I'd like to suggest creating your own Dream Team. Your Broad Squad, like the one recommended in the book,  Cash in a Flash. Author Robert G. Allen calls it a mastermind alliance - his definition? "Two or more individuals coming together to accomplish more than either could alone." Like Matisse and Picasso. Allen believes that to be a great person, entrepreneur, leader, artist, speaker or author you MUST have a dream team - "read any biography or autobiography and you'll find examples of this.
Men need support, too. A great example of a Dream Team, a success cluster, is a group of men who were friend BEFORE they were famous. They pooled resources and supported one another's dreams. They are George Lucas, Steven Speilberg, Brian de Palma, Francis Coppola and Marty Scorsese. Everyone benefits from pooling resources and generosity. Can you write the names of a potential dream team where you can pool resources and support one another's success?
I believe launching my creativity to the next level occurred because I was surrounded by supportive women, believing mirrors who empowered me to take the next indicated step, held me accountable. I am so grateful to these women - my "girdles, pantyhose and spanx" --cuz ladies, a girl's gotta have support.
Thank you. 

Pam Garrison Workshop at Studio Crescendoh

To contact us Click HERE
Spent an amazing two days at
Studio Crescendoh
 creating art journals with the Uber Talented
 Pam GarrisonInside Pam's world --a very cool place to hang out.
Art Rock StarsPam Garrison(L) and Jenny Doh (R)

My "Fodder" JournalFodder isall the little scraps of paper, ticket stubs, graphics that you save.Seriously, I have "fodder" files from high school (!)So excited to fill this journal.
Pam creating along with us

My work in progress :)
Check out all the beautiful journals! Photo by Jenny Doh.A big thank you to Pam Garrison and Jenny Doh for a wonderful workshop :)

So glad you stopped by!
oxJenelle
P.S. Have you checked out the W.H.O.A. -Women Helping One Another blog?

Tara Wilson at Whimzy!

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Last weekend I took an amazing jewelry class from the energetic and effervescent Tara Wilson, artist extraordinaire and proprietress of Lulumax.

Above is the bracelet I created- love it! Been wearing it non-stop. Tara was an incredible instructor.

We all had a blast and learned a ton!

Everyone was thrilled with the final result.Tara will be at Glitterfest, Oct. 13-see you there :)
Thanks so much for stopping by!
oxJenelle


Dallas Morning News and Art After 5

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I walked into a class this morning and another artist said, "Do you know your painting is in the Dallas Morning News?"  I about fainted!  It was shown in an article about the Dallas Arboretum Garden Gallery Exhibition currently displayed in the DeGolyer House.  Art After 5 hosted a reception this evening and "Inkoiry" was featured on the event program.   This has been a surreal day!   In the ups and downs of everday life, this was so uplifting.  God is so gracious. I talked to my husband on the way home about the way opportunities happen through friends and teachers and experiences the Lord gives us. An SWS member, Carol Vystrcil-Scott worked with the show.  We especially enjoyed her paintings and the breathtaking photos of Larry Waisanen who was also featured in the DMN.

29 Eylül 2012 Cumartesi

Horror on the Orient Express Kickstarter

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This is going to be one of my favorite Kickstarters for a long time, and they're down to the last 7 days.

Chaosium, the makers of the classic Call of Cthulhu are holding kickstarter to print an updated and expanded edition of Horror on the Orient Express, which centers on a murder mystery in the 1920s and leads to the discovery of far more sinister forces at work in the world.

The project has already been funded, but now they're raising additional funds to add even more awesome goodies into the box.

I backed this effort and am happily going to be a playable character when it comes out. This sets precedent as one of the first Lao American characters to appear in a role-playing game, I believe, so I'm quite excited about that.

 Although that particular level of support is now sold out, there are many other levels with very interesting rewards and items available. As of this posting, they're just $200 away from meeting their next and most likely last, stretch goal. So it's going to be a great journey for everyone involved!

Poet to Poet: Terry A. Garey

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This week at the Twin Cities Daily Planet I've interviewed speculative poet Terry A. Garey for the Poet to Poet Series.

Terry A. Garey is a writer, editor, and a member of the performance group Lady Poetesses From Hell. Her poems have been published in many journals and anthologies. She has edited poetry for Tales of the Unanticipated, and the speculative poetry anthology Time Frames, among others. Her non fiction book, The Joy of Home Winemaking, has little to do with poetry, but is fun and instructive if you want to make wine. She lives with a librarian, two cats and many books in Minneapolis.

Incidentally, Bag Person Press is pleased to announce the publication of Lady Poetesses From Hell, a poetry anthology featuring award winning poets Jane Yolen, Eleanor Arnason, John C. Rezmerski, Ruth Berman, Ellen Klages, Laurel Winter, Rebecca Marjesdatter, Terry A. Garey and others.The Lady Poetesses From Hell have been reading as a performance group at Science Fiction conventions for over fifteen years, and this is their first anthology, sans tea cozy, but with fish hat.Copies are available from Terry A. Garey, 3149 Park Ave. S., Minneapolis, MN 55407 for $10 plus $3.50 shipping and handling.

Mali Kouanchao's S-21

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S-21 is a mixed media painting, measuring 48" x 30" and is one of Lao Minnesotan visual artist Mali Kouanchao's earliest pieces examining the journey of Cambodian Americans from the Killing Fields to the United States. In addition to her work with Legacies of War, Kouanchao has maintained an active concern for Cambodian refugees, particularly deportees, whose journeys she is frequently documenting in her Displacement series.
S-21 refers to the former high school that is now the Tuol Sleng Genocide Museum (Khmer: សារមន្áž‘ីរឧក្ážšិដ្ឋកម្មប្ážšáž›័យពូជសាសន៍áž‘ួលស្áž›ែáž„) in Phnom Penh, the capital of Cambodia. The former high school was used as the notorious Security Prison 21 (S-21) by the Khmer Rouge regime from its rise to power in 1975 to its fall in 1979. Tuol Sleng (Khmer [tuÉ™l slaeÅ‹]) means "Hill of the Poisonous Trees" or "Strychnine Hill".

Interview with Land of Gazillion Adoptees on October 4th

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Land of Gazillion Adoptees will be, for the first time, broadcasting one of its infamous interviews live via Google Hangout. On Thursday, October 4th, 6:30 pm Pacific Standard Time I'll be talking with them about my books, I’ll read some of my poetry, and perhaps talk about some adoption stuff. We have room for 8 others (perhaps other writers?) to join the hangout and participate. It’ll be "raw, uncut, and oh-so-fabulous!" Additional details forthcoming…

The Last Pictures, Photos Intended for Aliens After Humans Are Gone

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Salon recently covered the work of photographer Trevor Paglen, who has attempted to narrow all the images in the world to just 100 to send to space in the form of an MIT-designed gold-encased silicon disc. Intriguing as it is, I wonder what pictures I or other Lao photographers such as Seny Norasingh, Vongduane Manivong, or Khampha Bouaphanh might approach the idea. But check them out. Well worth a look.

28 Eylül 2012 Cuma

JUDI BETTS WORKSHOP

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SWS held a five-day workshop with the incredible watercolor artist, Judi Betts.  Judi's dynamic paintings compel the viewer to ponder how she did it!  They are full of color and shapes and movement...just unbelievable. 
Judi's workshops are NOT "Workshop-Light"!  Each day was brimming with deep insight into watercolor handling and design of the paper. The week really stretched me with new ways of doing things.  Her wealth of knowledge was generously shared with us, and I'm sure it will impact all of our paintings immensely. 
Beyond her masterful painting, I thoroughly enjoyed her ability to tell stories, her respect for her own teachers and ability to relate their contribution to her work, her enjoyment and presentation of meaningful quotes and writings, and her overall zeal as a person. You can tell she has a long list of friends! She's a talented designer of her own books and unparalleled card designs, and a savvy marketer.  Her products are amazing - each seem birthed out of years of experience knowing what artists actually need! 
I knew the workshop would be fantastic, but truly was not expecting the depth of information we received in such a short time frame.  It's like a semester in a week!  Whew!  AWESOME!  Throughout the week, she frequently referred back to important teachers that had impacted her painting. I can tell that I'll be referring to Judi Betts and her workshop as one of those important steps in my painting progress.

61st Texas Watercolor Society Exhibition - Rockport Center for the Arts

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My husband and I took a weekend trip to the TWS Opening Reception.  The Rockport Center for the Arts is a beautiful gallery that sits alongside the Aquarium, the Maritime Museum and Visitor Center on a small peninsula jutting into the ocean.  The building is surrounded by wonderful sculptures and a boatfilled harbor. 
In this photo, my husband is standing near the works of two of my favorite watercolor painters. Soon Warren's painting won the bronze award.  It was fantastic and could be "read" from across the room! That is John Salminen's painting behind my husband.  Salminen's won an award from Cheap Joe's.
We were awestruck by the Silver Award winner by Duncan Simmons.  Besides his obvious talent, he was an exceptionally nice guy, too. Of course the star of the show was Nicholas Simmons' Best of Show winner! I am standing by it in the photo to the right. It was large and rich with textures and talent - very deserving of the top honor!  Fellow SWS member, Barbara McNutt's painting was wonderful. Todd Chalk traveled all the way from New York with her gorgeous watercolor!Of course we were thrilled that my painting, "The Ugly Duckling" was even included in the exhibition among such great company.

National Watercolor Society 2010 All Member Show

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We just returned from the NWS 2010 All Member Show at their beautiful gallery in San Pedro, CA.  It was particularly special because my son, his wife, and my granddaughter were able to attend with us. Mr. Bailey spoke to her and said, "Are you the little girl who went whale watching?"  Kylie loved being recognized from the painting. It was such a treat to see many admired artists' work. To me, it was an awe-inspiring learning experience to walk through the gallery full of NWS and AWS signatures, as well as artists from all over the nation.

The view from San Pedro is gorgeous!  We took Loa Sprung's advice to go see the Korean Friendship Bell and enjoyed the incredible overlook area.

Nancy Goldman and Geri Medway

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I had the pleasure today of meeting two fine California artists. One is a fellow blogger, Nancy Goldman.  She was volunteering at the Guggenheim Galley for the Orange Art Association's 14th Orange Open Juried Exhibition.  The show is great - including three of Nancy's excellent watercolors! Check out her blog http://nancygoldmanart.blogspot.com/.
Nancy told me about a demo in San Clemente which I attended this evening featuring NWS signature artist, Geri Medway.  I was so impressed with her work and her ambitious paintings of such varied subjects. http://www.gerimedway.com/geri.medway/Welcome.html
Meeting new artists around the country - and world - is part of the fun of being an artist!
Geri Medway's demo at San Clemente Art Supply was GREAT! She showed a slide show of fifty or more paintings. She was super generous with information about techniques she used to accomplish each scene. It was like a quick-fire class of painting after painting. It was a wealth of information for anyone with even minimal painting experience. She’d answer endless questions about each painting and tell the brush, the colors, etc. She had several unique combinations of colors that result in different qualities for each application. On each painting, she would point to a particularly challenging or unique area and say, “I did this and this by doing…” I took notes until my fingers cramped, so I’ll have to go sort it all out. What I particularly loved were her candid comments about mistakes. On two different slides she said something along the lines of, “Now this is, unfortunately, not what this painting looks like now. I 'ruined' it later by glazing this or that over it…” How refreshing and encouraging for an expert painter to be so transparent (pardon the w/c pun)! The biggest “take-away” I got from her demo is that she is willing to tackle anything. Her subject matters were extremely varied (eucalyptus trees, koi, creek beds, desert rock formations, geese, comic strips, marbles, Christmas ornaments, complicated palm fronds, sunlit barns, rusty gas pumps). Each were ambitiously difficult and excellently rendered with the attitude, “Can I do it?!” I loved her tenacity.

FESTIVAL OF THE ARTS - PAGEANT OF THE MASTERS

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The Pageant of the Masters in Laguna Beach is one of the most spectacular things I've ever seen!  We attended the special Gala tonight and thoroughly enjoyed it.  The Pageant is part of the Festival of the Arts.  Live people in costume are placed in scenes within illusionally engineered backdrops from master paintings.  Then, the lighting is altered and, before your eyes, the people look "flattened" and part of a gigantic painting.
To quote the pageant website, "What is it? Ninety minutes of "living pictures" - incredibly faithful art re-creations of classical and contemporary works with real people posing to look exactly like their counterparts in the original pieces. An outdoor amphitheater, professional orchestra, original score, live narration, intricate sets, sophisticated lighting, expert staff, and hundreds of dedicated volunteers have won recognition for the Pageant as the best presentation of its kind."

Cameras were not allowed in the pageant, but we were allowed to take photos of the gala in the festival area. The Festival of the Arts exhibitors were truly a cut above. Their work was displayed in beautiful indoor/outdoor galleries that encircled the festival grounds. Included in this select group was Geri Medway, the watercolor artist that I watched demo last week in San Clemente.  Her pieces were even more remarkable in person.  I'm excited to begin a five-week series of lessons with her in September.

A note to the wise who may attend this in the future...take a coat.  This is an OUTDOOR amphitheather.  That would have been good to know.  I had to stop and buy a fah-bu-luz hoodie to wear over my dress so I could survive the chilly ocean-side Laguna evening!! It kind of spoiled my attempts to play dress-up!
Bring a coat, but DO plan to attend this sometime in the future.  It's unique and amazing!

EDIT:  I just found another blogger who posted professional photos of  behind the scenes and pageant.  Check it out to see more fully what the pageant looks like.  INCREDIBLE!  http://katenoelleblog.com/?s=cross+training&x=40&y=13

27 Eylül 2012 Perşembe

Huntington Beach Art League

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The Huntington Art League holds monthly meetings just a stone's throw from the beautiful ocean.  I attended the meeting on Wednesday and was really impressed!  All levels of artists from beginners to master class painters attend.  This month's demonstration artist was Bernard Fallon. He is from England and is an excellent photographer and artist in several mediums.  His demo at the meeting was a scene of a mountainside field - done in pastels.  The group has many submissions to their monthly art contest.  Mr. Fallon chose the winners in each category.  I felt lucky that my painting, Inkoiry, was selected as Honorable Mention, especially given the number and quality of work exhibited in the watercolor category.  Michael Allen (Punke)'s gorgeous painting received the blue ribbon.  He is one of the many art teachers that are members of HBAL.  I know it will be a great experience to be part of this organization.

Call for Asian American Speculative Poems: Eye to the Telescope

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I will be guest editing the January 2013 issue of Eye to the Telescope, a magazine of speculative poetry.  The theme will be Asian American Speculative Poetry.

We're looking for poems drawn from fantasy, science fiction, mythology, and slipstream. Contributors and/or poem elements should have some connection to Asian America. This can have many interesting interpretations.

We are particularly interested in multicultural, multilingual work that brings forward emerging voices, especially from perspectives often underrepresented in existing literature. Work that considers race, gender, sexuality, identity and disability issues is welcome. There are no style limitations but I am requesting previously unpublished works.

Send them to me at thaoworra@gmail.com by December 1st for consideration!

Halloween Haunts coming in October!

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This October, I'll have a guest post up at the Horror Writer Association Blog about the spooks and spirits of Laos to give new and older readers alike a chance to catch up on the horror traditions of the Realm of a Million Elephants. More information will follow!
Starting from an idea in 1984, the Horror Writer Association has grown into an international organization to bring writers and others with a professional interest in horror together and to foster a greater appreciation of dark fiction in general. You can learn more about them at: http://www.horror.org

Mali Kouanchao's S-21

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S-21 is a mixed media painting, measuring 48" x 30" and is one of Lao Minnesotan visual artist Mali Kouanchao's earliest pieces examining the journey of Cambodian Americans from the Killing Fields to the United States. In addition to her work with Legacies of War, Kouanchao has maintained an active concern for Cambodian refugees, particularly deportees, whose journeys she is frequently documenting in her Displacement series.
S-21 refers to the former high school that is now the Tuol Sleng Genocide Museum (Khmer: សារមន្áž‘ីរឧក្ážšិដ្ឋកម្មប្ážšáž›័យពូជសាសន៍áž‘ួលស្áž›ែáž„) in Phnom Penh, the capital of Cambodia. The former high school was used as the notorious Security Prison 21 (S-21) by the Khmer Rouge regime from its rise to power in 1975 to its fall in 1979. Tuol Sleng (Khmer [tuÉ™l slaeÅ‹]) means "Hill of the Poisonous Trees" or "Strychnine Hill".

[Poem] Here, the River Haunt

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Bodies of students young despair:
An artist, the whispered, teeth and hair.
Some spectral digits clasp at flags and tear.
Yon wave and pavement witness near
Your campus of dreams, the shade and clear
To see such windy seas our clashing forms are from,
Fathom foam and phantom, our eerie erring ear.

What unwise winding butcher Time will cease and pare, without peer.

From BARROW, 2009